By Shirley Samuels
Chapter 1 nationwide Narrative and the matter of yank Nationhood (pages 7–19): J. Gerald Kennedy
Chapter 2 Fiction and Democracy (pages 20–30): Paul Downes
Chapter three Democratic Fictions (pages 31–39): Sandra M. Gustafson
Chapter four Engendering American Fictions (pages 40–51): Martha J. Cutter and Caroline F. Levander
Chapter five Race and Ethnicity (pages 52–63): Robert S. Levine
Chapter 6 category (pages 64–74): Philip Gould
Chapter 7 Sexualities (pages 75–86): Valerie Rohy
Chapter eight faith (pages 87–96): Paul Gutjahr
Chapter nine schooling and Polemic (pages 97–107): Stephanie Foote
Chapter 10 Marriage and agreement (pages 108–118): Naomi Morgenstern
Chapter eleven Transatlantic Ventures (pages 119–130): Wil Verhoeven and Stephen Shapiro
Chapter 12 different Languages, different Americas (pages 131–144): Kirsten Silva Gruesz
Chapter thirteen Literary Histories (pages 147–157): Michael Drexler and Ed White
Chapter 14 Breeding and analyzing: Chesterfieldian Civility within the Early Republic (pages 158–167): Christopher Lukasik
Chapter 15 the yank Gothic (pages 168–178): Marianne Noble
Chapter sixteen Sensational Fiction (pages 179–190): Shelley Streeby
Chapter 17 Melodrama and American Fiction (pages 191–203): Lori Merish
Chapter 18 smooth limitations: Passing and different “Crossings” in Fictionalized Slave Narratives (pages 204–215): Cherene Sherrard?Johnson
Chapter 19 medical professionals, our bodies, and Fiction (pages 216–227): Stephanie P. Browner
Chapter 20 legislations and the yankee Novel (pages 228–238): Laura H. Korobkin
Chapter 21 hard work and Fiction (pages 239–248): Cindy Weinstein
Chapter 22 phrases for kids (pages 249–261): Carol J. Singley
Chapter 23 Dime Novels (pages 262–273): Colin T. Ramsey and Kathryn Zabelle Derounian?Stodola
Chapter 24 Reform and Antebellum Fiction (pages 274–284): Chris Castiglia
Chapter 25 the matter of town (pages 287–300): Heather Roberts
Chapter 26 New Landscapes (pages 301–313): Timothy Sweet
Chapter 27 The Gothic Meets Sensation: Charles Brockden Brown, Edgar Allan Poe, George Lippard, and E. D. E. N. Southworth (pages 314–329): Dana Luciano
Chapter 28 Retold Legends: Washington Irving, James Kirke Paulding, and John Pendleton Kennedy (pages 330–341): Philip Barnard
Chapter 29 Captivity and Freedom: Ann Eliza Bleecker, Harriet Prescott Spofford, and Washington Irving's “Rip Van Winkle” (pages 342–352): Eric Gary Anderson
Chapter 30 New England stories: Catharine Sedgwick, Catherine Brown, and the Dislocations of Indian Land (pages 353–364): Bethany Schneider
Chapter 31 Harriet Beecher Stowe, Caroline Lee Hentz, Herman Melville, and American Racialist Exceptionalism (pages 365–377): Katherine Adams
Chapter 32 Fictions of the South: Southern photographs of Slavery (pages 378–387): Nancy Buffington
Chapter 33 The West (pages 388–399): Edward Watts
Chapter 34 The outdated Southwest: Mike Fink, Augustus Baldwin Longstreet, Johnson Jones Hooper, and George Washington Harris (pages 400–410): David Rachels
Chapter 35 James Fenimore Cooper and the discovery of the yank Novel (pages 411–424): Wayne Franklin
Chapter 36 the ocean: Herman Melville and Moby?Dick (pages 425–433): Stephanie A. Smith
Chapter 37 nationwide Narrative and nationwide heritage (pages 434–444): Russ Castronovo
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Additional info for A Companion to American Fiction 1780-1865
Grimes 1999: 232) Moses Roper concludes his 1838 narrative by insisting that whatever cruelties he has experienced, he loves the free institutions of the nation and hopes that America will ‘‘soon be indeed the land of the free’’ (Roper 1999: 520). The most famous of all slave memoirs, the 1845 narrative by Frederick Douglass, recounts a tale of Franklinesque self-education and Emersonian self-reliance, thus consciously Americanizing his transformation from a degraded slave to a free man. Douglass would later pen a novella, ‘‘The Heroic Slave’’ (1853), which boldly conjures the legacy of the Revolution in the slave rebellion led by Madison Washington, whose very name recalls Virginia’s tradition of patriotism.
I believe the result will show they depend, in some measure, upon each other’’ [Brown 1996: 29]) names another example of a transport that requires careful regulation. Summed up in Harrington’s tortured address, ‘‘my love – my sister’’ (p. 80), the sibling–lovers’ ‘‘criminal transport’’ threatens social convention not simply because it breaks a rule, but because it displays an insistent uncertainty that is at once the source of much of this novel’s figurative fascination and the site of its sympathetic appeal.
William Hill Brown’s The Power of Sympathy (Brown 1996) seems, at first glance, to belong to the genre of the seduction novel (that is both how it describes itself in its preface and how it has been received by recent readers). But insofar as it has a particular story to tell, Brown’s novel tells the story of a reformed seducer and of a couple (Harrington and Harriot) who fall hopelessly in love. The lovers are refused 24 Paul Downes entry into the legitimate world of marriage, however, not because of a villain’s desire to avoid the bonds of matrimony, but because what Harrington calls ‘‘tyrant custom’’ won’t allow it (p.